Today on the Tales of a Red Clay Rambler Podcast I have an interview with Clint Neufeld. Based in Osler, Saskatchewan, Clint utilizes large-scale slip casting to construct sculptural hybrids that reference the tools of heavy industry. 

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Walter Ostrom. One of the early adopters of earthenware Majolica pottery in North America, Walter has been a major influence on generations of ceramic artists. Through his almost forty year teaching career at the Nova Scotia College of Art and Design he upheld functional ceramics as a conceptually rich medium that deserved equal footing in academia.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Joan Bruneau and Jim Smith. Both are based in close proximity to Lunenburg, Nova Scotia, where they use local terra cotta clay to make highly decorated functional pottery.

Today’s Tales of a Red Clay Rambler Podcast episode features a conversation about the history of craft on Prince Edward Island with Henry Purdy, Ian Scott, Daphne Large Scott and Suzanne Scott. We talk about a wide range of topics including the back to the land movement, the School of Visual Arts at Holland College and the evolution of the Village Pottery.

This week on the Tales of a Red Clay Rambler I have an interview with Alex Kraft and Tony Merino. Both are established ceramic artists and co-curators of the exhibition 50 Women: A Celebration of Women in Ceramics. In the interview we talk about gender, dismantling hierarchies, and the challenges of curating a large scale exhibition. 

This week on the Tales of a Red Clay Rambler podcast I have an interview with ceramic artist Richard Burkett. Spanning a 45 year career in clay, Richard has been a studio potter, sculptor, author, and educator. In the interview we talk about his travels to Ecuador, his teaching philosophy, and the creation of the glaze calculation software Hyperglaze.

This week on the Tales of a Red Clay Rambler podcast I have an interview with ceramic artist Shannon Sullivan. Her sculptural and installation works are inspired by mineralogy, microbiology and other scientific interpretations of the natural world. 

This week on the Tales of a Red Clay Rambler podcast I have an interview with ceramic artist Forrest Middelton. Utilizing screen printing techniques Forrest has developed rich repeat patterns that show the influence of Iznik decorative art, as well as other middle eastern traditions.

This week on the Tales of a Red Clay Rambler podcast I have an interview with Paul Blais. Along with being an experienced podcaster, consultant, and podcast marketer, Paul has had a career in electrical contracting and lighting design. 

This week on the Tales of a Red Clay Rambler podcast I have an interview with Nigel and Cheyenne Rudolph. Both ceramic artists have roots in functional pottery but incorporate their experience in other professions into their ceramic work.

This week on the Tales of a Red Clay Rambler podcast I have an interview with Jim Skutt. After an early career away from the family business, Jim returned to the kiln company in 1987 where he has been an integral part ever since.

This week on the Tales of a Red Clay Rambler podcast we feature a special 100th episode with Mark Shapiro interviewing TRCR host Ben Carter. In the interview we talk about making a career in ceramics, the origin story of the Tales of a Red Clay Rambler and the archetypes people inhabit within the clay world.

This week on the Tales of a Red Clay Rambler Podcast I have an interview with ceramic artist and educator Joe Bova. Using biomorphic and zoomorphic subject matter, Joe creates hollow formed ceramic sculpture that serves as a vehicle for political, social and mythical narratives.

This week on the Tales of a Red Clay Rambler Podcast I have a panel discussion with Jason Burnett, Sunshine Cobb, and Doug Peltzman. Our conversation covers many topics including seeking sources for constructive criticism, reevaluating life goals after accruing academic debt, and defining success early in a career. 

This week on the Tales of a Red Clay Rambler Podcast I have an interview with artist and educator Holly Hanessian. Her most recent work Touch in Real Time explores the intimate nature of physical contact and its significance in the digital age. Part research and part social engagement, Holly asks strangers to shake hands with a small amount of clay between them. 

This week on the Tales of a Red Clay Rambler Podcast I have an interview with potter McKenzie Smith. During early academic training as a musician he took a glaze chemistry class and has been a dedicated potter ever since. Working within the Mingei aesthetic, McKenzie references the colors and textures of South Florida where he maintains a studio. 

This week on the Tales of a Red Clay Rambler Podcast I have a panel discussion on wood fired ceramics with Chris Gustin, Matt Long, and John Balistreri. In the interview we discuss the community oriented nature of wood firing, the balance of chaos and control involved in the firing process, and the role commerce plays in introducing objects into the world.  

This week on the Tales of a Red Clay Rambler Podcast I have an interview with gallery owner and artist Charlie Cummings. Through the Charlie Cummings Gallery he exhibits a variety of ceramic art with a focus on supporting artists early in their careers. His annual show Cup: The Intimate Object anchors an active curatorial program that includes both functional wares and sculpture. In his own art practice Charlie engineers multimedia installations that use technology to create sensory experiences that trigger the viewer's sense of awe and wonder.

This week on the Tales of a Red Clay Rambler Podcast I have an interview with Matt Schiemann. Matt creates full bodied functional forms that showcase flame patterns from the Anagama and Train kilns he fires in St. Petersburg, FL. 

This week on the Tales of a Red Clay Rambler Podcast I have an interview with artist and educator Linda Arbuckle. A master of majolica pottery Linda is known for her fluid brush work and keen sense of color. In addition to her studio work Linda has been active in the classroom for three decades and is currently a professor of ceramics at the University of Florida.