Today on the Tales of a Red Clay Rambler Podcast I have a live episode featuring Liz Summerfield, Ronan Peterson, Amy Sanders and Marty Fielding. Our wide-ranging conversation includes advocating for handmade through arts education, creating engaging low fire surfaces and why potters seem to dress like their pots. This episode was taped in front of a live audience as part of the Red Handed Symposium at the Clay Lady Campus in Nashville, TN.
Today on the Tales of a Red Clay Rambler Podcast I have a lecture by noted potter and educator Linda Arbuckle on the merits of low fire Terracotta. She delivered this talk as the keynote speech at the Red Handed Symposium, held in May of 2018 in Nashville, TN. In her lecture Linda talks about her introduction to terracotta at the Cleveland Institute of Art, historic traditions that utilized low fire materials, and how to make a functionally sound low fire glaze.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Richard Stratton. He uses late 19th century industrial ceramic techniques to make sculptural vessels that are steeped in the aesthetics of modernist architecture. In our interview we talk about how mud larking on the banks of the Thames reignited his interest in English industrial ceramics, the importance of research on aesthetic development, and selling ceramics in the NZ fine art market.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Nicole Kolig. Nicole’s studio and farm are nestled into the side of an extinct cinder cone volcano that rises above the surrounding Otago Peninsula outside of Dunedin, NZ. In our interview we talk about her time working with indigenous artists in the Kimberly region of Australia in the early 1970’s, harvesting local ceramic materials for sculpture, and the history of the Ceramic Association of New Zealand.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Cheryl Lucas. Throughout her ceramic career she has worked in many formats including functional pottery, sculptural installation and architectural work. In 2011 multiple earthquakes hit her home area of Christchurch, devastating the city and creating a turning point in Cheryl’s work. She has reacted to the destruction and subsequent rebuilding of the city with multiple bodies of work that deal with the events. In our interview we talk about making art as a way to make sense of tragedy, transitioning between the technical and conceptual aspects of making, and helping to rebuild the city by making large scale chimney pots used on historic buildings.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Tatyanna Meharry and Gwen Parsons. A large part of our interview focuses on Otago Polytechnic's Diploma in Ceramic Arts program, which is a distance learning program with satellite campuses across New Zealand. Tatyanna is the head of the Christchurch satellite, where she facilitates a two-year program guiding students through the ceramic’s curriculum, and Gwen is currently a second-year student in the program. In the interview we also talk about the history of ceramic education in New Zealand, diversifying the income of a business, and rebuilding Christchurch after the 2011 earthquakes.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Chris Weaver. After rediscovering his grandmother’s Iron, he started making teapots that referenced its angular form. This has led to twenty-five years of exploring the form through a variety of firing techniques and forming methods. In our interview we talk about incorporating wooden parts into his functional ceramics, keeping the teapot form fresh, and making tools to create specific marks in clay.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Michael O’Donnell. A longtime resident of the Coromandel region, Michael is an environmental advocate that uses ceramic sculpture to tell the story of the local ecology. His role as artist, story teller and spiritual seeker has been spurred on in defiance of multinational mining corporations that are working in the region. In our interview we talk about the influence of Barry Brickell, creativity as an antidote to depression, and Maori spiritual beliefs about water.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Duncan Shearer. His interest in atmospheric firing has led him to build kilns from nontraditional materials, such as wood blocks, telephone directories and ice. These performance firings captivate audiences and have informed the kilns he has built at his studio in Paeroa, NZ. In our interview we talk about firing as a communal activity, the geologic diversity of the Coromandel Range, and his interest in the Albarello form used in medieval Europe.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Greg Barron. In the 1970’s he started building his own ceramic processing equipment to make plastic clays for use in his studio. He applied this same ingenuity to build an energy efficient home and studio in Whangarei, NZ, that is made from compressed adobe and other ceramic materials. In our interview we talk about the effect deregulating ceramic imports had on New Zealand studio potters in the mid 1980’s, how his priorities have shifted with age and experience, and his do-it-yourself philosophy for running a business.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Jack Troy, Carolanne Currier and Amy Burk. We came together at the home studio of Jack and Carolanne to talk about their careers in ceramics. We had a wide-ranging discussion on wood kiln technology, the founding of the ceramic program at Juniata College, Jack’s passion for writing and the ceramic history of the region.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Cynthia Bringle. Since moving to Penland, NC in 1970 she has been a pillar of the art community, influencing many generations of artists and helping the Penland School of Craft to become a mecca for ceramics. In our interview we talk about educating your audience on the value of handmade, the evolution of studio pottery since the 1960’s and the growth of the Penland School.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with King Houndekpinkou. King is a Franco-Beninese artist, based in Paris, who makes sculptural vessels that are covered with rich amorphous surfaces created by layering slips and glazes. In 2016 he started the Terra Jumelles project matching pottery centers in Se, Benin with partners in Bizen, Japan. This sister city format aims to create cultural exchange between two regions with abundant historical and contemporary ceramic activity. In our interview we talk about the influence of video games, animism and rituals, and Japanese ceramic culture.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Keith Brymer Jones. He started his career with an apprenticeship at Harefield Pottery in London, where he learned high production methods of producing hand made pottery. After learning the business, he started his own pottery selling through major retailers like Barney’s of New York and Heals of London. The Keith Brymer Jones brand has now expanded to include production centers in India and China, which help supply worldwide markets for commercial ceramics. In addition to his studio work Keith is an expert judge on the BBC’s Great Pottery Throw Down.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Kelly Austin and Joey Burns. Both are emerging artists that are establishing themselves in the Australian ceramic community. Austin is based in Hobart, Tasmania, where she teaches at TasTAFE and maintains an active studio practice. Burns splits time as the studio technician for the Ernabella Arts Center in Ernabella, South Australia and a studio artist in Gundaroo, New South Wales. In our interview we talk about their educational paths, working in indigenous communities and developing multiple bodies of work.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Owen Rye. An elder statesman of the Australian ceramic community, Owen has made significant contributions through his research into wood firing and his time teaching at Monash University. Before starting his studio practice he spent ten years documenting the ceramic practices of Pakistani potters laying a foundation for a PHD focusing on versatile porcelain bodies. In the interview we talk about his time in Pakistan, the need for ceramic history in today’s universities and the development of the woodfire community in Australia.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Glenn Barkley. He served as the head curator of the Museum of Contemporary Art Australia from 2008–14 and curator of the University of Wollongong Art Collection 1996–2007. During these years he developed a curatorial style that questioned art world hierarchies by showing artists outside the mainstream, focusing specifically on giving voice to marginalized populations. For the last four years Glenn has focused on his own ceramic practice making work that references popular music, gardening, and ceramic history. His vessels are covered with sprigs and obsessive mark-making that are highlighted with saturated pastel colors. In the interview we talk about his philosophy of curation, the role of ceramics in major Australian collections, and his current body of work.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with Daniel Johnston. Based in Seagrove, NC, Daniel is an compelling mix between a traditionally trained potter and a contemporary artist who makes ceramic vessels to utilize their conceptual potential. He studied under NC pottery luminaries J.B. Cole and Mark Hewitt before traveling to Thailand to learn large vessel making. His recent work is installation-based and features numerous jars that are arranged within gallery spaces to modify the viewers perception of light and scale. In the interview we talk about learning to communicate verbally to combat dyslexia, studying big pot making in Thailand, and his One Hundred Pot project.
Today on the Tales of a Red Clay Rambler Podcast I have an interview with figure sculptor Tip Toland. In the interview we talk about her 2014 Portland Art Museum exhibition, which featured Tanzanian children that are both revered and persecuted because they have Albinism. For the exhibition Toland created twelve larger than life size busts that show the complex emotional landscape of persecuted peoples.
Today on the Tales of a Red Clay Rambler Podcast I have the second of two interviews with John Gill. In this episode we continue with a conversation about the lineage of teachers at Alfred and discuss how John’s dyslexia has influenced his creative problem solving.